History is not was, it is.
~ William Faulkner

Feature Photo: Flinders Rockpool (c) Alison McDonald 2017
~ William Faulkner

Feature Photo: Flinders Rockpool (c) Alison McDonald 2017

A photo of a prehistoric stone circle on Dartmoor. (L.C. Wong©2024)
Why is it there? What was the meaning? Who raised the stones? Why? All of these questions foster ideas for a story, poem, an opening scene or a theme for a novel.
Then practice painting this picture with words. Describe the colours, the view, the atmosphere created by the clouds and light. Put a character in there and give them a dilemma.
Add a suitable quote from William Shakespeare:
“And this our life, exempt from public haunt,
Find tongues in trees, books in the running brooks,
Sermons in stones, and good in everything.”
~ As You Like It (1599)
Cheers Elsie King

Back in January I found out about an upcoming competition. With regular life in suspension and a bit of time on my hands I thought – “Give it a go. Why not? Nothing to lose.” One was required to write a memoir – couple of thousand words and a cash prize. Beyond the address for submission there were no more details.
But what exactly is a memoir? As a keen member of a local camera club, I’ve had photographs disqualified as “out of category” or “didn’t meet the brief”. I didn’t fancy putting time and effort into a couple of thousand words to have them peremptorily discarded in such a cavalier fashion. Obviously, memory is involved. Is it just autobiography or is there some twist I’m not aware of? Bit of research seemed to be in order.
The first dictionary I consulted (fairly simple; from my schooldays) told me it was “an autobiography; a reminder”. I had a sneaking feeling that for this writing competition there was a bit more to it than that. So, off to my great big two volume Shorter Oxford to discover that this word has been in use for centuries. Way back then, half a millennia ago, it simply meant “a note; a memorandum; a record – often an official one”.
A couple of hundred years later it had morphed into something much closer in meaning to our twenty first century perception – “a record of events or history from personal knowledge or from special sources of information”. All connected to memory and autobiography but with a bit of a twist as well in that interviewing then writing an account of someone else’s memories seemed to be in order too. Right then though I was more concerned with my own personal recollections of my own life.
My very earliest memory is of a big wooden table in the middle of a dim room. I was sitting in my highchair at one end of the table; to my left, a door standing ajar; a window next to it and beyond the verandah the gentle slope of a sunlit, golden hillside. I was aware of the rest of the house to my right, behind me and away across the table in the far wall, there was another window with, next to it, in the corner a wood stove, shrouded in shadow. However, my attention was caught by movement outside on the hillside. It was a rabbit or more probably a hare, lolloping across; stopping to nibble or look around before continuing its leisurely progress. The Easter Bunny! I was filled with immense excitement.
Now, so many, many decades later, I have no idea whether that was my own idea or whether my parents had suggested it. I was four months past my second birthday; the memory and the magic of it still clear and vivid.
My memories of a happy childhood are not at all a story continuing through the years but a series of pictures, many pictures randomly stamped on a blank canvas, like vignetted photos: crystal clear but with blurred edges. The competition? The time on my hands somehow evaporated. Life last January has also become a blur.
© Mary McDee 2025
Feature Photo: Wilderness Tamed for Tourists © Alison McDonald 2017
After Elsie’s “Thingamajig” poem last week, what better than Mary McDee’s writing tips for poetry.
Click on the link and check it out for yourself.
Feature Photo: After a Rain Shower (c) Alison McDonald 2017
*
“Where’s the thingamajig?”
I cry in despair,
I rummage in drawers,
Look under the chair.
*
“What, the TV remote?”
The hubby suggests,
“No, I’ve found that,
On that old wooden chest.”
*
It’s essential, it’s needed,
My heart races,
I search through cupboards
And dusty obscure places.
*
But what’s it called?
I just can’t remember,
The thingamajig, thingy,
I had it last December.
*
Hubby sighs and shrugs,
“Well, I’ve no idea.
You’ll manage without it.
Your innovative my dear.”
*
And just when I give up,
Well, stone the crows.
There it is, the stapler,
Right under my nose.
*
On my desk!

By Elsie King © 2025
Feature Picture provided by Elsie King


“Life is too short to stuff a mushroom.” Shirley Conran.
I want to welcome Berenice to Indie Scriptorium and congratulate her on her wonderful blog about procrastination. The problem of procrastination is something I don’t struggle with very often. My nemesis is overcommitment and that can have the same consequences as procrastination.
I am currently writing my fourth novel, editing my third novel, have provided manuscript feedback for several fellow writers and foolishly decided to go back to university to complete a Bachelor of Letters in Creative Writing. I can cope, it is doable, I can study and write.
I tried for five weeks and realised it was definitely not doable. The university course was exciting and stimulating but I’ve discovered a novel length work requires a singular commitment.
Writing a novel for me requires both writing and time to let your conscious and sub-conscious brain work out plot holes, motivations and what your characters will do and say next. It is as complex as drawing up roses and then getting all the petals formed, coloured and shaded to complete a satisfying painting. The university topics were fabulous distractions and something had to go.
I am no longer a university student.
Cheers Elsie King © 2025
Painting by L.C. Wong © 2023

George had never been on a holiday in his life.
Yet, here he was on a school camp, water swirling around his ankles as he stared at the wide expanse of ocean. Exploring some rocks, he peered into a rockpool, and saw something shimmering under wavy seaweed tendrils. He pulled it out, scattering some little crabs. Peeling the fronds off the thingamajig he saw that it was a disc with squiggles instead of words and a hole in the middle.
‘How strange,’ he thought, ‘what is it? Definitely not Australian.’
He was keen to know if he’d found a treasure.
(100 words)
© Berenice Norris 2025
Feature Photo: Crab-Hunting at Sellicks Beach © L.M. Kling 1995
You need to loosen up with your painting,’ my art teacher said.
So, with a palette-knife, I did with my painting of Bunyip chasm.

Over the Easter break in 1986, Dad took my boyfriend (future husband) and me to the Gammon Ranges. Dad had gone there the previously with his photographer friend and he was keen to show us some of the scenic secrets these ranges held.
We bumped and rolled in Dad’s four-wheel drive Daihatsu down the track into the Gammon Ranges. We camped near Grindell’s Hut, backpackers’ accommodation. A murder-mystery from the early Twentieth Century involving the hut’s owner, spiced our discussion around the campfire that night. Then we set up a tent, for boyfriend, on the ground above the bank of the creek. I placed my bedding also above the creek under the stars. Dad opted for his “trillion-star” site underneath a river gum. No tent for him, either.

The next day Dad guided us along the Balcanoona creek bed shaded by native pines to Bunyip Chasm. After an hour or two of hobbling over rounded river stones, we arrived at a dead-end of high cliffs.



‘Is this it?’ my boyfriend asked. ‘Is this Bunyip Chasm?’
‘I think so,’ Dad said as he squinted at the waterfall splashing over the cliffs. ‘It looks familiar.’
‘I don’t see any chasm,’ I said.
‘Just wait a minute,’ Dad said and then disappeared through some scraggly-looking bushes.
I waited and took photos of the water spattering over dark cliffs set against a cobalt blue sky.


Dad tramped back to us. ‘It’s over here. The water’s deeper than last year, so I don’t think we can go through.’
We trekked after Dad, pushing the bushes and then reeds aside. There, the split in the hillside, and a deep pool of water lurking in the shadows.

‘Do you think we can swim through?’ I asked. I had worn my bathers in the hope of swimming in a waterhole.
‘Nah, it’s too deep and cold,’ Dad said. ‘I wouldn’t risk it.’
Dad then scanned the surrounding cliffs and shook his head.
I took more photos of the cliffs, hillside and of course the chasm.

‘Come on, we better get back,’ Dad said and then started to hike back the way we came.
We trailed after Dad. Although native pine trees shaded our path, the hiking made me thirst for a waterhole in which to swim. I gazed up at the lacework of deep blue green against the sky and then, my boot caught on a rock. I stumbled. My ankle rolled and twisted.
I cried out. ‘Wait!’

‘What?’ the men said at the same time.
‘I hurt my ankle; I need to soak it in cold water.’
Dad stamped his foot. ‘Well, hurry up. We have to get back to camp before dark.’
I pulled off my jeans and t-shirt.
‘What are you doing?’ my boyfriend asked.
‘I’m soaking my ankle; I twisted it, and I learnt in first aid that you need to apply a cold compress to it.’
Boyfriend put his hands-on hips and sighed.
I gave him my camera. ‘Here, take a photo of me in the pool.’
Boyfriend swayed his head. But as I soaked my foot and the rest of me—any excuse for a swim—boyfriend took my photo.

After about ten minutes, with my ankle still swollen and sore, I hobbled after the men. We climbed down a short waterfall and at the base, I looked back. The weathered trunk of an old gum tree leaned over the stream, three saplings basked in the late-afternoon sunlight against the sienna-coloured rocks, and clear water rushed and frothed over the cascading boulders and into pond mirroring the trees and rocks above.
‘Stop! Wait!’ I called to the men.
‘We have to keep on going,’ Dad said and disappeared into the distance.
Boyfriend waited while I aimed my camera at the perfect scene and snapped several shots.

Then holding hands, we hiked along the creek leading to our campsite and Dad.
‘I’m going to paint that little waterfall,’ I said.
We walked in silence, enjoying the scenery painted just for us—the waves of pale river stones, the dappled sunlight through the pines, and a soft breeze kissing our skin.
[In memory of my father Clement David Trudinger (13-1-1928—25-8-2012)]
© Lee-Anne Marie Kling 2016; updated 2020; 2024; 2025
Feature painting: In Search of Bunyip Chasm © L.M. Kling 1989

It has been said that procrastination is ‘the thief of time’, and indeed it is, but it is very often misunderstood. How many times have we heard people describe themselves as a procrastinators when they turn up late for appointments, fail to meet deadlines or admit to having piles of unfinished projects that they meant to tackle when they had more free time? Procrastination can even be a common problem with writers of all genres.
In my personal experience, I have found that procrastination is more than a lack of time management skills, being disorganised or lacking motivation. In conversation with other writers who speak about their ambition to create significant works, they find that the end goal may feel daunting, causing them to avoid their projects and become distracted. I’ve heard of a description called ‘Imposter Syndrome’ where writers feel that their work is not good enough, that they are deluding themselves and may even experience the fear that their work may not achieve the desired outcomes, such as the approval of others, especially that of their more successful peers. I have realised that I often set high expectations of myself and in reviewing my work, question my ability, leading to hesitation, frustration and avoidance.
In the Shakespearian play of Richard 111, the king says, ‘I wasted time and now Time doth waste me,’ which is for me an apt description about how I feel about the many times I have put off doing writing tasks which have been waiting to be completed. I believe my issue is in aiming for perfection in my writing and spending endless hours editing, rewriting and revising my work, while anxiously aware that I am not progressing further than several reworked drafts. This causes self-doubt and stress as I worry that I might never finish the project which I started with so many ideas and enthusiasm.
The danger for people, like me, who know that they have a tendency to procrastinate, is that they are often inclined to ‘multi-task’ and get distracted by a whole range of disconnected activities instead of focussing on the one, single writing activity that requires their full attention. External distractions like social media, domestic duties, the telephone and television or personal hobbies can divert their attention away from writing. I may instinctively know that this is counterproductive and feel guilty about wasting precious time but may justify this by convincing myself that I will do better the next day, week or month, until often it all congeals into a familiar procrastinating blur…again. This may form a habit, creating a vicious cycle from which it seems virtually impossible to escape. When that happens to me, I feel embarrassed, stressed and vulnerable, avoiding the emotional task required to continue the work at hand.
I have spent many years trying to understand why, when I seemingly have no valid reason to put off performing some writing tasks, I often am caught at the last minute frantically working under stress to produce work of a high standard. Even if I micro-manage my time to avoid this occurring, it still happens. Even identifying as a procrastinator is tantamount to assuming that there is a controlling mechanism in my brain holding me ransom to a habit I am struggling to break. It has not always been so. As a studious child and student, I found the creative experience of writing my joy and pleasure, a circumstance that ironically carries on to this day as a mature person.
Ask yourself, ‘What have I as a so-called procrastinator done to help overcome the feelings of being overwhelmed, fear of failure, self-doubt, burn-out and disappointment?’
These are some of the strategies that I have employed that might prove helpful.
Good Luck with your projects.
© Berenice Norris 2025
Feature Photo: Waiting for a Feed, Baby Magpies ©L.M. Kling 2020