Words–When a House is a Home

WORKING WITH WORDS

We writers consider words as our stock-in-trade; valuable servants to our need for self-expression; treasured allies in our creative pursuits.  They have meanings that give messages; messages that, at times, are subtle or can be misinterpreted or confusing. Consequently they must be treated with care and respect if we are aiming for clarity and impact when we use them.

I learned this lesson many decades ago so let me tell you how it happened.

“A house is not a home.”  My father was adamant.

I must have been about ten or twelve years old; it was a mealtime and I had been sounding off about something or other.  I have no idea what I’d said to elicit this from Dad but my memory of that situation and his response to me is very clear.  He was firm, very firm.  But gently so as he went on to explain what he saw as the difference.

“A house is a building”, he said; “nothing more – bricks and mortar; walls and a roof.  A house is not a home until people are occupying this sheltering structure.  Even then it is not a proper home if those residing there do not care about each other; were not considerate, respectful of each other; welcoming to strangers and willing to share whatever they had, however little that might be.

A shed, a tent or a bark humpy could be just as much a home as a fancy mansion.  Indeed, a fancy mansion where there is no peace; where people are always fighting, abusive, rude, or out to take others down is no home at all.  A place where everything is only for show, designed to impress; aligned to elicit awe and admiration from visitors but is, in fact, a veneer for misery could never ever be a home.”

My parents lived their beliefs and, apart from the values such conversations inculcated in me, this particular episode stuck.  It gave me a great respect for the importance of accuracy in my use of language as well as triggering a lifelong fascination for the subtle differences in the meanings of words.

A few years later, a High School English teacher emphasised the point but in a different way. He was talking about the nature of poetry and told us that, in essence, poetry was:         

“The very best words arranged in the very best order”                                                                                        

As a budding writer I remember thinking, “Surely that applies to anything I write, not just poetry?”  At the time, like Brer Rabbit, I just lay low and said nuffin’ – I was far too shy to question someone I saw as an expert.  But those words stuck and became a guiding light; a light that is far from easy to follow all the time, believe me!!

Many, many years later my sister-in-law, Nancy, completely and unintentionally in this matter of word precision, turned the tables by setting me straight on the use of another word (as well as the importance of care when conversing with littlies). 

This time it was her grandchildren who were involved.  They’d been excitedly telling me about something planned for their father that was to be a surprise.  I’d responded along the lines of “So you’re being careful to keep it a secret?”  At which point Nancy told me that, in their home, they don’t talk about “having secrets”.  It was always “Keep the surprise”.

Discussing it later, out of earshot of the small ones, she told me that they wanted to ensure the children were brought up in an atmosphere where openness was the norm as they felt that “keeping secrets” could lead to trouble down the track. 

Despite my fascination with words and unrelenting passion for accurate usage, it was something I’d never thought of before!  Point taken!  And appreciated!!

Language is communication.  It can be subtle and suggestive.  Words are powerful.  And the implications of those words can be even more powerful.  So it behoves us as writers to consider every word we write with the utmost care – but not in the initial first draft stage where we simply spit out our ideas; get it all down out of our heads and onto paper. 

The “working with words” bit is part of the editing process.  But that is another story for another day.

© Mary McDee 2024

Feature photo: Somerton Park Trust Home © L.M. Kling 2005

To Market, To Market, How Did We Fare?

Last Friday, Mary and I attended a party at a local Café that we patronise every Wednesday between Bible study and Writers’ Group. We go there for lunch and have started to get to know some of the regulars there as well as the manageress. She makes a delicious Black Forest Cake.

[Photo 1: Black Forest Cake at Café 101 © L.M. Kling 2023]

Anyway, on the way, I remarked, ‘Wow, it’s been a week already since the market.’

So, how did we go? You ask.

What you must understand is that the main stream media did its best to deter people from doing anything—apart from activating their fire-safety plan. Or second to that, heading to the nearest bunker and hunkering down waiting for the apocalyptic storm to pass.

As it turned out, the doom and gloom weather forecasters were out by a couple of days. Clouds shrouded Adelaide by mid-afternoon, even a few spots of rain. The fires never happened. The evening of the market turned into a balmy twenty-something degree Celsius, perfect for strolling in the market or enjoying Christmas festivities.

However, the damage by media had already been done and no one but a hardy few, ventured outside their homes to attend. In the end, traders traded amongst themselves. I bought a native orchid and a couple of Christmas cakes. Elsie bought my significant-zero-number birthday present, a handy art pouch that I can use when painting en plein air.

And finally, after no financial transaction action all evening on our stall, a neighbouring vendor bought one of my books, and Elsie’s great nephew one of my miniature paintings. Minutes before, we had sold one of Elsie’s cards while she was away from the table having a break.

[Photo 2: Miniatures for a previous market venture with Marion Art Group © L.M. Kling 2019]

Disappointing? No, I don’t think so. I have come to believe that the market experience is more than just buying and selling goods. It’s about community. Building relationships. Being a regular reassuring presence. Being there to listen to people, to connect with people.

Now at times, during the evening, this connecting was difficult to do. We were situated right under the main entertainment; a couple of merry “Elves” singing Christmas songs. They were doing a jolly good job of it, drumming up that seasonal spirit—except that they sang to no one but the vendors most of the time. Where we were the music blared at top volume. When some hapless soul did enter the market and pass our stall, they sped around the tables, glancing only briefly at our books and artwork. Communication, even amongst us concluded in sign language and I resorted to sharing writing in my notebook; a kind of note-passing between friends.

When the music-makers took a break, we had opportunity to connect with potential buyers or people who just wanted someone to listen to what was going on in their world.

While packing up, one of the neighbouring vendors gave some advice; cards don’t sell, they said, and every time is different, so don’t give up. From the brief debrief we had, we decided that in the future, we’ll look at selling smaller paintings and trying to get a stall far, far away from the entertainment.

As for connection, the market is just one way for advertising Indie Scriptorium and our indie-published books. After years of going to this local café I mentioned Mary and I go to every Wednesday, I finally gave one of my books, The T-Team with Mr. B to the manageress to read as a Christmas present. The Lost World of the Wends was given to a young writer who also comes to this café, and also I gave away a bookmark advertising Indie Scriptorium.

[Photo 3: The T-Team with Mr. B © L.M. Kling 2023]

Building the “brand”, the business by networking takes time, especially with the strident voice of professional media, but slowly but surely I feel, people are catching on and it’s happening for Indie Scriptorium.

A heart-felt thank you to all you faithful followers and newcomers to our Indie Scriptorium blog. Merry Christmas and we wish you a successful New Year in your endeavours.

Cheers, Lee-Anne Marie.

© Lee-Anne Marie Kling 2023

Feature Photo: Indie Scriptorium Team at the market © L.M. Kling 2023

Any Ideas? Need Inspiration?

I’ve always been fortunate to have far more ideas for my fiction than I have time to write them into a story or novel. But some writers struggle to find an idea and inspiration. So how do you get inspiration and ideas for what to write? This was my experience.

My first novel was easy to plot and plan. I wanted to set the novel in the Regency era because of my love of Jane Austen and Georgette Heyer. Then, women had no rights and little education and I wanted to promote my ideas about feminism and equality in that era. A Suitable Bride emerged from these basic ideas. I asked what would an intelligent and sensible woman do to ensure she made the best choices to achieve a fulfilled and happy life in a world where woman had no legal rights and little education? The answer informed the storyline of A Suitable Bride. The love that grew between my protagonists against impossible odds gave me the conflict required and the happy ending fulfilled the romance genre.

Family and friends who experienced the sad loss of a baby or suffered infertility inspired my second book A Suitable Heir. Again, I set the novel in the Regency period to capture the additional difficulties of upper-class woman whose main purpose in life was to marry and produce an heir. I asked how would a woman in a society cope with infertility in this era. In addition, I incorporated the issues of depression and loss when a couple remains childless and the joy of having children after a difficult time conceiving.

I’m currently writing my third book, which began when I watched the sad and senseless death of George Floyd. It appalled me to witness his awful murder and made me think what could I do to counter such extreme racism. I returned to my favourite historical period and I learned about the British slavery trade and its aftermath. This became the focus of A Suitable Passion. My protagonists appear to be on the opposite side of the abolition of slavery movement, yet my heroine is coerced into a marriage of convenience with a man she cannot respect. This book has been the most difficult to plot and plan as it required considerable historical research about slavery in the British colonies, a romance and a happy ending. Two rewrites later I am still attempting to incorporate an engaging story with a fascinating but sad history. I’m not sure I will achieve the right balance but love the challenge.

So, my inspiration for novels comes from social issues and themes, which I then incorporate into a favourite historical time to create fictional characters and storylines.  I find inspiration for short stories harder but thinking back these are some spurs that have helped me to create my short stories.

  • Writer’s group exercises. Some of my best short stories started out as a topic for a 10-minute writing exercise at the Woodcroft Writer’s group. Everyone wrote a sentence from a book, poem, article or from our imagination on a scrap of paper and then fold them up and put them in a tin. Each week we’d pull out a sentence and it would inspire us to write on the given topic.
  • If you can’t attend a group, just grab a book, pick a paragraph or sentence and use that as inspiration.
  • Some flash fiction web-sites provide topics for short fiction.
  • Reading is also a significant source of inspiration. You may enjoy a particular genre or author. Ask yourself could I also write like Stephen King, Agatha Christie or Jane Austen and start planning.
  • You can read articles in newspapers and magazines about actual crimes, daring rescues, sad losses, politics, sport, celebrities and unusual events and use these as inspiration. Change the time, place and names and start writing.
  • Just overhearing a conversation can inspire a story. So, learn to listen to people talking around you. It will give you ideas and help you create authentic dialogue.
  • Competitions are a great way to get inspiration. The Romance Writers of Australia have three anthologies published a year each with a particular keyword and theme that inspires the entrants. There are a lot of writing competitions that provide entrants with a theme or keyword.
  • Photos, films, social media posts can all provide you with ideas.
  • Research an area of history that fascinates you. As you learn more about the time, you can discover real life people and events that will provide a fabulous story. You can take an event in one era and put it into another. Change the characters’ names, the country they live in and then write it up as fiction.
  • Your own family or personal experiences can inspire as many a memoir writer will tell you.
  • Keep a notebook of ideas, or have a desktop folder with writing ideas so when inspiration strikes you can put the idea away for later consideration.

An important step in the creative process is to ask what if or how would? What if that hero in the paper later regretted his actions? What if that murderer wasn’t caught? What if that woman I overheard left her husband? How would a barren wife cope with a demanding husband in the 1800s. How would an abolitionist cope when her family are slave owners.

So, select a topic, make whatever changes you like and ask what if, how would and get writing.

Cheers Elsie

Elsie King©2023

Photo from Apple stock images.